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The singer-songwriter cracks a few gallows jokes while affability his guitar amid songs on a tiny date abreast the Northlake Mall. He’s in the average of a set of acute tunes with titles like “Let the Afire Yell,” “The Funeral Blues” and “Sometimes It Falls Apart.” I ask if it’s OK to live-stream.

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“We should comedy article that doesn’t suck, then,” the singer, Fort Mill-based Rick Spreitzer, says.

“Wow! What a concept, Rick,” guitarist Kevin Edwards angelus in. He provides the harmonies and plays the brittle acoustic leads to Spreitzer’s strumming and fingerpicking. “You and me — advertisement out to the world.”

“We’re activity live, mama!” Spreitzer fires back, not missing a beat. Afresh he announces the abutting tune. “Let’s see,” he says. “We played this one about a ceremony ago. It’s a candied song to adhere yourself to.”

Spreitzer and Edwards are on a roll. It’s a little afterwards 2 p.m. on a Saturday and the two are afire up the stage. But the date they’re assuming on isn’t in some bounded club or restaurant or brewery — it’s in the comfortable active allowance of a two-story burghal home at the end of a cul-de-sac. (Watch the abounding concert at the basal of this story.) A assurance taped to the advanced aperture reads: “Tiny Date Concerts.” The words anatomy a abecedarian analogy — the T in “tiny” is shaped like a mic stand, the chat “concerts” is allotment of a keyboard, and the accomplished affair is affected by a brace of stick figure-style speakers.

Tiny Date Concerts is the abstraction of singer-songwriter Louis Beeler, who in 2016 began videotaping some of his adolescent musicians who consistently comedy at open-mic contest in the Charlotte area. Today’s affair is the 83rd achievement Beeler’s taped aback his aboriginal one, on April 8, 2016, with Huntersville songwriter Al Lemmond. Beeler has aback brought in a advanced ambit of songwriters — from above New York Burghal anti-folk accompanist Grey Revell (a CL accidental writer) to neo-soul accompanist Adayla Turner to such legends of the Charlotte Americana arena as David Childers.

“We’d aloof confused into our new abode and I absitively to body a date for accompany to appear over and do song circles and stuff,” Beeler says. “And afresh already I had the date in, I got the abstraction of accomplishing abode concerts.” He motions to the stage, complete forth a bank aloof a few anxiety from a couch, which sits forth the adverse wall. “As you can see, it’s tiny in here,” Beeler says. “There’s not abundant allowance for added than 10 people, so accomplishing abode concerts didn’t assignment out.

“Then we got the abstraction of accomplishing basic concerts,” he says. “It aloof took off from there.”

When it came time to name this basic concert series, Beeler chose a able comedy on Tiny Board Concerts, the National Public Radio alternation that’s become massively accepted aback it launched on NPR’s website in 2008. TDC has featured hundreds of acclaimed artists, mostly analytical darlings, alignment from hip adolescent singer-songwriters like Julien Baker and body man Leon Bridges to such songwriting legends as Randy Newman and Graham Nash of Crosby, Stills, Nash and Young. The most-viewed adventure of Tiny Board Concerts came this accomplished November aback the hip-hop alarm singer-songwriter Anderson Paak unleashed activation performances of his tunes “Come Down” and “Heart Don’t Angle a Chance.” As of this writing, added than 14 actor bodies accept beheld the Paak adventure alone.

The abstraction for NPR’s Tiny Board Concerts came aback Bob Boilen, the host of All Songs Considered, went into a club in Austin, Texas, with his music editor Stephen Thompson during the ceremony South by Southwest Music Conference. They were there to see Laura Gibson, a much-buzzed-about ascent adolescent singer-songwriter based in Portland, Oregon. But Boilen and Thompson became affronted aback they couldn’t apprehend a chat of her songs over the noise.

“It was this abominable bar,” Boilen told Vox Media in 2016. “The apostle was pointing out the door, bodies were watching basketball amateur and auspicious for their teams.”

After the performance, Thompson joked to accompanist Gibson that she should aloof appear by and comedy for him and Boilen at the NPR office. Three weeks later, Gibson accustomed to accomplish the actual aboriginal Tiny Board Concert, and Boilen acquaint it online to agog assurance from NPR’s users. “We had no abstraction what we were doing,” Boilen’s All Songs Considered cohost Robin Hilton told Vox.

Beeler’s Tiny Date Concerts came out of the aforementioned annoyance with Charlotte-area clubs and breweries.

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“I had a amphitheater of bounded songwriters who played accessible mics, and we capital to accept a belvedere breadth bodies could apprehend their lyrics,” Beeler tells me, afterwards Spreitzer and Edwards accomplishment their set. “We had been to too abounding songwriter shows breadth you aloof couldn’t apprehend anything.”

Spreitzer, still cradling his albino David Webber MJ archetypal acoustic, pipes in: “If you adulation musc, if you adulation lyrics — this is a abundant befalling to accomplish in an ambiance breadth you can apprehend the songs,” he says. Spreitzer is well-loved on the Charlotte songwriting scene, breadth he’s recorded and performed consistently aback he appear his aboriginal album, Meanderthal, in 2002. “It’s an befalling to put your songs out there and apperceive they will be heard.” He turns to Edwards, who’s accidentally acrimonious on his Martin D-35. “I could apprehend Kevin’s strings squeaking over there while we were playing. I could apprehend every tap on his guitar. It was that affectionate and that close. And that’s the way it is aback we comedy at home.”

That’s not the way it was aback Spreitzer saw a bandage at a NoDa club the night before. “I went to the [Evening] Muse to see Jason Houseman, and I heard this abundant aperture band, Mirror Man,” he says, and afresh lets out a sigh. “I couldn’t apprehend one lyric. I couldn’t apprehend anything.”

After Beeler fabricated the accommodation to install the tiny date in his burghal home, he and his adherent Karen Butler set about converting the active allowance into a abounding achievement amplitude and studio, application the best accessories he could afford: a Canon SX-40 camera, a 24-track TASCAM Portastudio and a set of Dejected Bluebird SL condenser microphones. The best of mics was decidedly important, he says. “If we were activity to accomplish abiding bodies could acutely apprehend the lyrics, we bare abundant microphones.”

The brace afresh angry to decorating the space, transforming it from banal burghal to bright island kitsch — a accomplishments of beach and dejected sky, with tiki almanac covers, a cut-out of a hula babe and added memorabilia on the walls, and a ukuleles and abundant old guitars blind from racks crabbed the stage.

There’s the 20th ceremony Ovation, the ’70s-period Yamaha FG-300 with annual engraving, and the Godin Multiac Nylon electric-acoustic. “Most of the instruments are from assurance shops,” says Beeler, who wears his signature blatant Hawaiian shirts during every taping. He credibility to one of the instruments. “But that Yamaha is absolutely the aboriginal guitar I anytime bought,” he says. “And the Godin — Grey played that one aback he came in.”

He is apropos to Grey Revell, one of the ancient artists to do a Tiny Date session. Revell had absolved into the Beeler’s active allowance flat one Saturday in May of 2016 with his cheap, sticker-covered no-name acoustic, and performed a five-song set of his aboriginal songs including “Gone, Gone” — which became a abruptness hit for Revell in Brazil afterwards it appeared in a 2013 Hewlett-Packard TV bartering — and “First Cuban Boy on the Sun.”

Beeler had met Revell at Freeman’s Pub in Gastonia, and the two anon hit it off. “And afresh Louis wrote me one day and said, ‘I’m accomplishing this little affair at my house. I’ve set up a little video flat and I’d like for you to appear in and do a brace of numbers,'” Revell remembers.

The accompanist jumped at the opportunity. Afterwards all, it was a adventitious to accomplish a scattering of songs in a affection video. “It was awesome,” Revell remembers. “Here was this little date with guitars everywhere and all this blatant stuff, like approach copse and added knickknacks.” He laughs. “I admired it.”

So did the jazz-soul accompanist Adayla Turner, who accustomed one Saturday with her guitar-playing bedmate Rico Nye and 5-year-old son Emilio. “I was afraid with the bank art,” she says. “And my son admired the aperture apparatus by the door.”

Turner performed a scattering of her animated and soulful tunes including the air-conditioned and abstract “Come on Over” and the added upbeat “Summertime, Vol. 1.” She had contacted Beeler afterwards seeing a few Tiny Date videos online.

“That’s how we’ve gotten several bodies added afresh — they get in blow with us,” Beeler says. “And Adayla had a abundant voice. She was fantastic.”

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Early on, it wasn’t so accessible accepting bodies to appear out to the suburbs to accomplish in some guy’s home. “When we initially started, we capital to do a account series, but that aboriginal ages we had agitation accepting alike one being a ceremony to appear in,” he says. “But afresh already it got going, added bodies were contacting us. Now we accept agents calling and bodies sending cyberbanking columnist kits.”

Like abounding added Charlotte-area music boosters — such as John Tosco, whose Tosco Music Parties additionally began in his home, and the association at Midwood Guitar, who accompany musicians into the abundance for video sessions — Beeler says he’s aggressive by all the aggressive musicians in the Charlotte area. And he says the burghal needs alternatives to bounded clubs, abounding of which accept bankrupt their doors afresh at an alarming rate. “Good places to comedy assume to be appealing few and far amid these days,” says Spreitzer.

“But there’s still a abundance of aptitude in the Charlotte area,” Beeler adds. “And I’ve begin that the best accomplished bodies about actuality are actual humble.”

Guitars and musicians were consistently about Beeler’s home, from the time he was built-in in New York, in 1963, to his adolescence in the bound boondocks of El Paso, Texas. That’s breadth he abstruse about all kinds of music from his beforehand brothers who played in bands.

“I was in a few bands in aerial school, too, afresh duos and abandoned afterwards that,” Beeler says.

He was in his aboriginal 20s aback he confused east, to Austin, breadth he’d occasionally run into Texas music greats like Stevie Ray Vaughn, Townes Van Zandt and guitar virtuoso Eric Johnson.

“I saw Eric Johnson at a bounded music abundance one time. I’d gotten off assignment and gone to this music abundance abutting door, and he was in there accomplishing a little guitar clinic,” Beeler remembers. “There were alone about six of us there. It was great.”

Beeler, who works as a account technician, acclimation printers and added appointment equipment, during weekdays, has consistently played music as a ancillary hustle. Aback he relocated afresh in 1987, this time to Miami, Florida, he connected to gig around. He lived in Florida for six years afore relocating with his then-wife to Charlotte, breadth she had landed a job. Beeler anon absorbed himself in the bounded singer-songwriter scene, activity out to open-mic contest and basic a duo, The Acoustic Brothers, forth with his associate Mark Kendrick.

After he and Kendrick split, Beeler connected as a abandoned artisan beneath the name The Acoustic Guy, and he still gigs about in the Lake Norman area, at spots such as the Old Boondocks Public House, Summit Coffee in Davidson and Joe’s Sports Bar in Concord.

“I try to comedy about already a ages or so,” Beeler says. But he’s active these days. Aback he’s not alive his day job at Kelly Appointment Solutions or absolutely cutting the Tiny Date Concerts, he’s sitting at his board in a adjoining room, spending up to six hours at his agenda workstation alteration anniversary episode. He’d like to get a additional camera to home in on the guitar solos and abduction altered angles on the singers, but that would beggarly alike added time at his workstation.

“We’ve acclimated a additional camera occasionally, like aback bodies accompany in keyboards,” Beeler’s adherent Butler says. She handles the videography during the sessions while Beeler makes abiding the complete levels are right. “We’d like to do added of that.”

“Yeah, that would be nice,” Beeler adds.

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It’s the afterward Saturday, a abounding ceremony afterwards Spreitzer sat on the date arise jokes during his actualization on Tiny Date Concerts. Beeler and Butler are aback in action, apprehension the accession of this week’s bedfellow singer-songwriter, Todd Murray, who performs acoustic dejection and folk beneath the name Sincerely, Iris.

“They’re usually about 15 account aboriginal or 15 account late,” Beeler says, as he preps the date and soundboard, and Butler checks the camera.

When Murray eventually ambles in with an acoustic guitar and a additional apparatus — a cool, bootleg cigar-box guitar — the three do a little chitchatting afore Murray hops onstage so the brace can analysis the complete and visuals.

Murray grabs a aqueduct accelerate and puts it to the strings of the cigar-box guitar, whose top is an old, decayed green-and-white Colorado authorization plate. Murray, who already lived in Colorado, slices into about a minute or so of his new blues-based song “I’m Not the Same” as Beeler adjusts the levels. Afresh Murray tells me how he came into acquaintance with Beeler and landed today’s gig.

“We met at an open-mic night and it affectionate of snowballed from there,” says Murray, who’s now based in Charlotte. “The cat-and-mouse account was appealing long, actually. I anticipate we apparently aboriginal talked in October.”

He’d apparent several episodes of TSC and was pumped to appear in. “A lot of my accompany accept played in it,” Murray says. “It’s rare. There’s annihilation like this in Charlotte anywhere.”

Beeler, cutting headphones and continuing by the soundboard, cool ear to ear. He knows that what Murray aloof said is the truth, and he’s blessed to accommodate the amplitude for Charlotte musicians to certificate their work.

“My goal,” Beeler had told me in an beforehand conversation, “is to get every accomplished songwriter in the Charlotte breadth in actuality for a Tiny Date Concert.”

That aloof may accumulate him active for the blow of his life.


Watch Rick Spreitzer and Kevin Edwards accomplish their Tiny Date Concert.

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